August 22, 2014 peter

Raphael Tschernuth

www.tschernuth.com/?page_id=1267
http://www.imdb.com/name/nm1902000/
https://www.facebook.com/eartheband/info
https://www.youtube.com/user/eartheband
http://ear-theband.bandcamp.com/

I write and produce music for movies, bands and theaters. I started to compose music for movies during my drama studies and founded perfectly-rough in 2012.

Clients:
SWR I WDR I SR I Lavafilm I Zuta Film I Seeblick TV I EMI Music I Gore Tex I Centraltheater Leipzig I Theater Dortmund I Theater Nestroyhof Wien I u.a.

I compose and produce music for movies, bands and theater plays.

Clients I worked for:
SWR I WDR I SR I Lavafilm I Zuta Film I Seeblick TV I EMI Music I Gore Tex I Centraltheater Leipzig I Theater Dortmund I Theater Nestroyhof Wien I Theater Magdeburg I Ruf Records u.a.

Awarded short films:
“Glasshouse Failure” Audience Award, Filmfestival Landshut I “Schafe” Best Movie at FilmFestival Burghausen I “Vergessen” FFF-Förderpreis Regensburger Kurzfilmwoche

Instruments I play:
Guitar, Bass, Upright Bass, Piano, Synthesizer, Drums and I’ll try everything that makes some noise…

I use:
Custom built tube amps, tube mic preamps, tube effects and tube reverb made by rerun electronics.
RME audio interfaces and microphones made by Neumann/Gefell, MBHO, Sennheiser, Shure and others.

Conception

For movies and theater plays the first step is analyzing the script with the director to define the music that will suit the project best. After decoding the dramaturgy of the scenes I create the score concept. I take care of planning the production which includes the selection of additional musicians or vocalists as well as the estimation of the cost. Rights clearing is also necessary in the very beginning of the project to be sure that every song or third party content can be used. I offer “one-stop” rights clearing for my music.

Composing

I compose minimalistic pieces as well as songs with grand full band arrangements and classical instruments. Each project needs its own sound identity to stand out and make it special. I believe that the key to reach this is an original compostion. For last minute projects, I can also choose music out of my growing library of over 300 compsitions.

Recording

During the process of recording I use analog equipment to achieve a ”warm” and “colorful” sound. The combination with the latest digital environments leads to an efficient work-flow and ensures highest audio quality.
I record the music in my studio located in Berlin/Neukölln and also offer on-location recording with mobile recording gear.

Mixing

Mixing is about getting the right balance of the individual tracks, creating space and putting the spotlight on the right things at the right time. Many years of experience with Logic Pro and other DAWs made my skills in this domain very strong. In order to get the best results for the final delivery, I work closely with mastering specialists.

 

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